- #AUDIFIED MIXCHECKER FORUM INSTALL#
- #AUDIFIED MIXCHECKER FORUM REGISTRATION#
- #AUDIFIED MIXCHECKER FORUM CODE#
#AUDIFIED MIXCHECKER FORUM INSTALL#
Install the iLok License Manager software: Once have the manager installed, open it and log in. Please check your junk/spam/promotions folders!Ĭreate an iLok account here: If you already have an iLok account and the iLok Manager Installed, please skip to step 3
#AUDIFIED MIXCHECKER FORUM REGISTRATION#
Plugivery is the distributor for AIR products, this registration process is so you can obtain support from them easily.Īfter registering your redeem code, your license and further instructions will be emailed to you by Plugivery. You can also reach this page by clicking the button in your order confirmation email.
#AUDIFIED MIXCHECKER FORUM CODE#
Like a more extreme version on checking on Auratones!Īdditionally, there is a mix checking plugin from Audified called 'Mixchecker' (I think!) which has a phone option.Your redeem code will appear on the order confirmation page a few moments after you place your order. It seems that if there is some harmonic content in the bass part which is above 400ish (and therefore can be heard even when the mix is hi passed at 400) then mixes seem to generally translate better.Ĭertainly focussing on whether the mix still makes sense when you can only hear the mid range seems good practice. I actually found that my EQ setting helps general mixing, so I do use this trick on all my mixes now, not just where the end product is for mobile gaming. But all have roughly the same issue: no bass response at all, and most have speakers optimised to hear voice clearly (i.e. It's worth bearing in mind that different iPhone models will sound very different, and also phones from other manufacturers are very different. Hi pass at 400hz ish and a bit of a mid range bump then lo pass. The final upshot was that I simply made an EQ setting on EQ7 which seemed to be pretty close. (I'm out and about now so actually can't locate a link to post, but I'm sure it'll come up in a search. I had a thread going on Gearslutz about a year back on exactly this subject. Does anyone have any tips/tricks to share with me?! :D I looked on apples site and they claim the frequency response of the speaker is 20-20 but I find that hard to believe. Has anyone done much mixing where the end platform will be the iphone speaker? I am about to write some game music for an iPhone app(s) and am having some trouble getting the bass to come through. Just make sure it sounds cool on earbuds and decent out of the internal speaker. Just play with it a little and you'll know when it's right.īTW I don't know to many people that use apps while the phone is docked so I wouldn't be to concerned about how it translates on crappy dock radios (they all lack in bass too). If you want to check the sound simply bounce an mp3 down and import via itunes.Īlso in the mastering phase roll off anything below about 30Hz and roll off some of the highend using a 6dB slope low pass set at 17-18kHz. Just be careful how you mix your cymbals. I also didn't squish the signal to much -3dB gain reduction at the most using an L2. It seems to allow mp3's to play nicer out of the speaker. So after testing different things out I ended up limiting the file to -0.8dBfs. I was in a similar situation, digging through tons of threads looking for some sort of standard but never really came across anything substantial. I just finished doing sound for an upcoming app. But listening to music through cellphone speakers is a step closer to Armageddon (hell being a bunch of folks listening to music on cellphone speakers).
Kinda defeats the concept of making quality recordings in quality studios with quality equipment. Sure, go ahead, optimize your mix for the cellphone speaker, and I want to see the reaction of folks listening to that mix on ANY other system. What listening quality are you expecting from 3 pinholes in a cell phone ?īut the real question is : do you really look forward to listening to music on a cellphone speaker ? You won't have any more bass, but you won't be able to hear the difference between bass, mids and highs. Make sure the mp3 resolution is set to below 128 kbps.Īs soon as you start hearing tinkerbells on the cymbals, lower it down another notch (to, say, 64 kbps).
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